GALLERIA E SPAZIO ESPOSITIVO INDIPENDENTE PER L'ARTE CONTEMPORANEA - Indipendenza ...

GALLERIA E SPAZIO
ESPOSITIVO INDIPENDENTE
PER L’ARTE CONTEMPORANEA

INDIPENDENZA Studio nasce dalla volontà di creare uno scambio tra il pubblico italiano e
alcuni artisti Internazionali invitati a presentare un progetto espositivo con la possibilità di
risiedere e lavorare nell’appartamento annesso allo spazio espositivo. “Indipendenza” è la
tensione che caratterizza questo nuovo progetto e la piazza che lo ospita nel cuore della
storica zona di “Macao” a Roma, già nell’ottocento residenza e luogo di passaggio per gen-
erazioni di artisti.

"CLÉMENT RODZIELSKI"

                       2015

"CLÉMENT RODZIELSKI" - A PER ABISSO                                                Clément Rodzielski

Curated by Eva Svennung February 21st – April 15th, 2014                           Born 1979, Albi, France Lives and works in Paris

Clément Rodzielski’s work questions the appearance of images, the shadow           EDUCATION
of their reproduction and the diversions of their circulation. Measuring the       2005 Ecole Nationale Superieure Des Beaux-Arts, Paris
gap between what we receive and the origin of images, their uses, abuses
and their destinations.                                                            SOLO EXHIBITIONS
                                                                                   2014 «Chemin Vert», Villa du parc, Annemasse, France
The exhibition begins - in time - with the capital A series, which combines the    «La longue image panoramique de la révolution d'une oeuvre», CNEAI,
figure of an A (in «Rada- gund », the pirate « Polish » font) that is infinítely   Chatou, France «Fraises Noires», Galerie Chantal Crousel, Paris
larger than the surface that it is printed on, and which black tape extends        «A per Abisso», Indipendenza, Rome, Italy
and holds to the wall. The tape is there to make up for what is missing, the       «Mille yeux», La Synagogue de Delme, Delme, France
disso- nance. Later, the same printed template reappears in photographies,         2013 «Clément Rodzielski», Galerie Chantal Crousel, Paris
as a vision device that one can see through. And what one sees through,            «10 Nouveaux A, La Maison d'Art Bernard Anthonioz», Nogent-sur Marne
body parts, also prolongs the truncated A.                                         2012 «Clément Rodzielski», La Chapelle, FRAC Champagne-Ardenne,
                                                                                   France
Parallel, there are color photographies of models Orely and Fanny - bodies         «Et se je voi oe et demie», Zoo Galerie, Nantes
and images. Photos bor- rowing from the genre if not of charme, of the ama-        «Julie et sa cousine», Ecole Supérieure d’Art de Clermont Métropole, Cler-
teur or semi-pro photography, since that is where the models usually               mont Ferrand, France
appear, and where they like to appear to the world.                                2011 Artl42lBasel, Art Statements with Sutton Lane (Campoli Presti)
Black strawberries. Pursuing this, is a series of paintings that exist twice.      «Monnaie de nécessité», La Douane/Galerie Chantal Crousel, Paris, France
Naked, nailed to the wall (full of themselves, but as props, as backgrounds,       2010 «10 aquarelles», Toilet encounters, Charlie Jeffery & Chantal Santon,
originals), and also in the space of photography (reframed, set up with a          Paris, France «Bring home the oranges», Sutton Lane (Campoli Presti),
painted body part). The body as subject, model and production machine.             London
The painting is what separates, divides the body between these two func-           «Trop Peu de Sante, Trop Peu de Preuves», Galerie Carlos Cardenas, Paris
tions.                                                                             «Die Menschen finden sich in dieser Welt zum Leben», Chert Gallery, Berlin
                                                                                   2009 «Une haine sans pardon», Module du Palais de Tokyo, Paris «Spec-
Here and there, clay towers marked with a pointy steampunk eye patch:              tor», Federico Bianchi Contemporary Art, Lecco
eyes, that press and pierce the clay.                                              2008 «Tonnerre sous les tropiques», Fiac 2008, Cour carrée du Louvre,
                                                                                   Paris «Grands a», Galerie Cardenas Bellanger, Paris
Rodzielski has, among others, exhibited at La Synagogue de De/me (2014)            «Miroirs noirs», Galerie RLBQ, Marseille
Palais de Tokyo, Paris (2010 the FRAC Champagne-Ardenne, Reims (2012).             2005 «Le nom de l’île», Bétonsalon, Paris
Bétonsalon, Paris (2005).

"CLÉMENT RODZIELSKI" - A PER ABISSO

                                      2019

"CLÉMENT RODZIELSKI" - A PER ABISSO

                                      2019

"CLÉMENT RODZIELSKI" - A PER ABISSO

                                      2019

Wed - Sat, 2 - 7 pm

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           00185 Roma
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