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AANWINSTEN JANUARI 2020
KU Leuven Bibliotheken Bijzondere Collecties
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Tjamke.Snijders@kuleuven.be
BOEKGESCHIEDENIS handschriften oude drukken
HANDSCHRIFTEN • Un-dating the Chester Plays: A Reassessment
of Lawrence Clopper’s ‘History and
Development’ and MS Peniarth 399 —
MATTHEW SERGI
• Noting Baiazet, the Raging Turk — MARY
POLITO AND KIRSTEN INGLIS
• John of Bordeaux: Performance and the
Revision of Early Modern Dramatic Manuscripts
— JAMES PURKIS
• James Compton and Cosmo Manuche and
Dramatic Manuscripts in the Interregnum —
WILLIAM PROCTOR WILLIAMS
• Performance
• The Play of Wit and Science: Evidence for the
Performance of a Choir School Manuscript —
LOUISE RAYMENT
• Sixteenth-Century Courtly Mumming and
Atkin, Tamara, en Laura Estill. Early British Drama Masking: Alexander Montgomerie’s The
in Manuscript. Turnhout: Brepols, 2019. Navigatioun — SARAH CARPENTER
• Speech and Silence in an Actor’s Part —
Plaatskenmerk: 091: 792 (41) JAKUB BOGUSZAK
• ‘In witnes here of I set to my hand’: Early Modern
Handgeschreven toneelstukken (1400-1700) Actors’ Offstage Textual Rituals — KARA J.
“Early British Drama in Manuscript is the first book- NORTHWAY
length study to focus exclusively on medieval and early • Comedy, Clowning, and the Caroline King’s
Men: Manuscript Plays and Performance —
modern drama in the context of a rich and varied man-
LUCY MUNRO
uscript culture. • Unfolding Action: Locked Letters as Props in
This collection of essays examines medieval and early the Early Modern Theatre — DANIEL STARZA
modern drama in the context of a rich and varied SMITH AND JANA DAMBROGIO
• Reception
manuscript culture. Focusing on the production, perfor-
• Remediating Sixteenth-Century Drama:
mance, and reception of dramatic documents made in Gismond of Salerne in Script and Print —
Britain between 1400 and 1700, the essays in this book TAMARA ATKIN
shed new light on the role of dramatic manuscripts in • The Early Manuscript Reception of
a range of different social and literary spheres. From Shakespeare: The Formation of Shakespearean
extant manuscripts of England’s mystery cycles to Literary Taste — JEAN-CHRISTOPHE MAYER
• Comedies and Tragedies ‘read of me’ and ‘not
miscellanies kept by seventeenth-century readers, the
yet learned’: Dramatic Extracting in Bodleian
documents discussed in this volume reflect a culture Library MS Rawlinson D 952 — BEATRICE
of producing and using drama in ways that have been MONTEDORO
overlooked by the recent critical focus on drama • Seeing is Believing: External vs. Internal
and print by theatre historians and literary critics. By Evidence in the Controversy over the Ireland
showing the various continuities, exchanges, lendings, Forgeries — ANTONIA FORSTER
• The Macro Plays in Georgian England — GAIL
and borrowings between medieval and early modern
MCMURRAY GIBSON
scribal practices, as well as between manuscript and • Unseen things seen’: Digital Editing and
print practices, this volume interrogates accepted Early Modern Manuscript Plays — MATTEO
critical narratives about the way that drama has been PANGALLO
historicized.” • Mongrel Forms: Print-Manuscript Hybridity
and Digital Methods in Annotated Plays —
Inhoudsopgave REBECCA MUNSON
• Introduction — TAMARA ATKIN AND LAURA ESTILL
• Production
• The Brome Abraham and Isaac and Impersonal
Compilation — JOE STADOLNIK
• The Coventry Playbooks — PAMELA M. KING
• The Towneley Plays: Huntington Library MS HM
1 — ALEXANDRA F. JOHNSTON
Aanwinsten Bijzondere Collecties | 3
Bétemps, Isabelle. Littérature et enluminure: Broderick, Herbert R. Moses the Egyptian in the
étude de cycles iconographiques du “Roman de la Illustrated Old English Hexateuch (London, British
Rose” de Guillaume de Lorris. Mont-Saint-Aignan: Library Cotton MS Claudius B. IV). Notre Dame,
Presses Universitaires de Rouen et du Havre, Indiana: U of Notre Dame, 2017.
2019.
Plaatskenmerk: 091: 22 (41) “10”
Plaatskenmerk: 091: 75 aut GUILL. DE L.
De iconografie van Mozes
Iconografie van de Roman de la Rose “In Moses the Egyptian, Herbert Broderick analyzes the
«Que nous disent les enluminures de manuscrits sur les iconography of Moses in the famous illuminated elev-
textes littéraires du Moyen Âge ? Quelles lumières ces enth-century manuscript known as the Illustrated Old
peintures peuvent-elle projeter sur le roman ou sur le English Hexateuch. A translation into Old English of
poème médiéval ? Cet ouvrage, qui s’adresse à tous les the first six books of the Bible, the manuscript contains
lecteurs intéressés par le dialogue entre texte et image, over 390 images, of which 127 depict Moses with a
propose une initiation à la lecture de l’un des poèmes variety of distinctive visual attributes.
courtois les plus célèbres et les plus richement illustrés
Broderick presents a compelling thesis that these
du Moyen Âge : le Roman de la Rose, roman en vers
motifs, in particular the image of the horned Moses,
commencé par Guillaume de Lorris dans la première
have a Hellenistic Egyptian origin. He argues that the
moitié du xiiie siècle. L’étude, qui adopte une pers-
visual construct of Moses in the Old English Hexateuch
pective diachronique, s’interroge sur la manière dont
may have been based on a Late Antique, no longer
ce texte fondateur a pu être reçu, interprété, transmis
extant, prototype influenced by works of Hellenistic
par les peintres-enlumineurs du début du xiiie jusqu’à
Egyptian Jewish exegetes, who ascribed to Moses the
l’aube du xvie siècle. Quatre cycles iconographiques
characteristics of an Egyptian-Hellenistic king, military
complets appartenant à quatre manuscrits d’époques
commander, priest, prophet, and scribe. These Jewish
différentes (conservés à la Bibliothèque nationale
writings were utilized in turn by early Christian apolo-
de France, à la British Library, à la Pierpont Morgan
gists such as Clement of Alexandria and Eusebius of
Library et accessibles en ligne) ont été retenus pour
Caesarea. Broderick’s analysis of this Moses imagery
éclairer une démarche fondée sur l’observation et la
ranges widely across religious divides, art-historical
description méthodiques des cycles d’illustrations. Le
religious themes, and classical and early Jewish and
but de ce volume est de montrer comment l’examen
Christian sources.”
des enluminures peut offrir des clefs d’interprétation
du texte médiéval et de sensibiliser les lecteurs d’au-
jourd’hui à un art dont la finesse et la beauté ne cessent
d’étonner.»
4 | Aanwinsten Bijzondere Collecties
• Formazione e attività degli scriptores della
Chiesa nella Toscana occidentale tra i secoli X e
XII (prima metà) — ANDREA PUGLIA
• Les scribes au travail à Saint-Aubin d’An-
gers (France de l’Ouest, XIe-XIIe siècles)
— CHANTAL SENSÉBY
• Écrire pour Aulps. Pratiques diplomatiques et
scribes des archives d’un monastère cistercien
au diocèse de Genève du XIIe au XIVe siècle —
ARNAUD DELERCE
• Scripteurs et production documentaire dans
le Chablais médiéval : le Minutarium Maius de
l’abbaye de Saint-Maurice d’Agaune (Suisse)
(fin XIIIe-début XIVe siècle) — BERNARD
ANDENMATTEN et NADIA TOGNI
Hermand, Xavier, Jean-François Nieus, en Etienne
• Administrations princières / Princely Administrations
Renard. Le scribe d’archives dans l’Occident
• Pedro Kendúlfiz († 1051), Notary of the Royal
médiéval: Formations, carrières, réseaux.
Chancery of León: Training, Career, and
Turnhout: Brepols, 2019.
Relationships — AINOA CASTRO CORREA
Plaatskenmerk: 091 codic kopiist • Scribes in the Chancery of Henry II, King of
England, 1154-1189 — NICHOLAS VINCENT
Scribenten van administratieve bronnen • Les breviatores, scribes de documents compt-
«Contrairement aux scribes « de bibliothèque », les ables des comtes de Flandre au XIIe siècle
scribes « d’archives » – l’étiquette désigne ici de façon — THÉRÈSE DE HEMPTINNE
ouverte tous les acteurs de la pratique scripturaire • Les scribes comtaux au service de Jeanne
dans le champ foisonnant des sources documen- de Constantinople, comtesse de Flandre et
de Hainaut (1212-1244). Une approche pluri-
taires – sont très souvent les auteurs intellectuels des
disciplinaire : diplomatique, paléographie et
textes qu’ils tracent sur le parchemin ou le papier. Pour prosopographie — ELS DE PAERMENTIER
beaucoup d’entre eux, l’acte quotidien d’écrire n’est • Allinus of Haarlem (fl. 1174-1222) : Monk, Clerk,
donc pas une fin en soi, ni même forcément un aspect Historiographer. The Reconstruction of a many-
prédominant du labeur ; ils exercent une ou plusieurs sided Career — JAN W.J. BURGERS
fonction(s) qui dépasse(nt) parfois très largement le • Clercs, notaires, professionnels. Le personnel
de la chancellerie des comtes de Hainaut sous
cadre de cette activité technique. La palette de leurs
les Avesnes (1280-1345) — VALERIA VAN CAMP
profils socioprofessionnels présente une infinie variété, • Au coeur de l’Archivium regium : scribes d’ar-
marquée par d’énormes écarts de statut et de pres- chives en Provence angevine, milieu du XIIIe-fin
tige que le seul maniement commun de l’écriture ne du XIVe siècle — THIERRY PÉCOUT
saurait gommer. Qui étaient-ils vraiment ? Même si les • Les secrétaires du duc de Bar Robert Ier :
médiévistes à l’oeuvre dans les archives les côtoient l’exemple de Clarin de Crépey (fin XIVe-début
XVe siècle) — MATHIAS BOUYER
intimement à travers leurs productions écrites, bien
• The Notaries of the Count of Luna at the End
peu de recherches leur ont été dédiées : l’historiogra- of the Middle Ages — FRANCISCO JAVIER
phie se contente trop souvent d’images d’Épinal qui ÁLVAREZ CARBAJAL
masquent la complexité et la diversité des situations • Notaires / Notaries
de terrain. Certes, la plupart des scribes se dérobent • “Publico notario, notario meo”: Careers and
à l’historien, frappés d’anonymat. D’autres, cependant, Connections of Portuguese Scribes in the
Middle Ages — MARIA CRISTINA CUNHA et
se laissent saisir à la faveur d’une carrière saillante ou
MARIA JOÃO SILVA
d’un dossier loquace : en reconstituant leurs parcours, • Le notariat dans les campagnes de Florence
ce volume collectif vise à jeter les fondements d’une : Chianti et Val d’Arno supérieur et Val di Pesa
histoire sociale des « scribes d’archives » dans l’Occi- aux XIIe et XIIIe siècles — PHILIPPE LEFEUVRE
dent latin du second Moyen Âge. • “Ego Anselmus Boccardus notarius sacri palatii
tradidi et scripsi”. Le parcours professionnel et
Inhoudsopgave social d’un notaire milanais (seconde moitié du
• Avant-propos — XAVIER HERMAND, JEAN- XIIIe siècle-début du XIVe siècle) — TIMOTHY
FRANCOIS NIEUS, ÉTIENNE RENARD SALEMME
• Solutions ecclésiastiques / Ecclesiastical Solutions • Figures de notaires bas-normands : profils
sociaux et choix de carrière (1280-1520) —
ISABELLE BRETTHAUER
Aanwinsten Bijzondere Collecties | 5
• Les scribes d’archives et de Cort Major dans la • Semer des noms, les cultiver
principauté de Béarn à la fin du Moyen Âge — • DEUXIÈME PARTIE: IMAGINAIRES DU NOM
DOMINIQUE BIDOT-GERMA PROPRE
• Contextes urbains / Urban Contexts • Donner, porter un nom
• Un notaire pour un notable : Guilhem del Bosc • Usages et évolutions au cours du Moyen Âge
et le cartulaire de Pons de Capdenier (Toulouse, • Sources et sillages
1225-1228) — GABRIEL POISSON • Lectures du nom
• Chirographes et compétences linguistiques • Le tissu des noms
des clercs des villes francophones du Nord — • TROISIÈME PARTIE: L’ORDENANCE DES NOMS
SÉBASTIEN HAMEL et SERGE LUSIGNAN • Les noms et la mécanique du récit
• Le scribe à Laon et à Soissons : au service • Conclusion
de l’Église, du roi et de la ville. Esquisses de
carrières (XIIIe-XVe siècles) — CAROLINE
SIMONET
• Écritures comptables / Accounting Records
• Poinsot Guichart demeurant à Montréal (vers
1341-vers 1428). Réussir par l’écrit dans un
bourg ducal de Bourgogne au tournant des
XIVe et XVe siècles — MATTHIEU LEGUIL
• Du “scribe” au “comptable”. Profil en évolution
ou émergence d’un nouvel acteur des écritures
? — JEAN-MARIE YANTE
• Le “comptable” et son registre en Normandie
orientale à la fin du Moyen Âge — ISABELLE
THEILLER
• Conclusions — PAUL BERTRAND
Leclercq-Marx, Jacqueline, e.a. Iconographie
médiévale entre antiquité et art roman: d’acan-
thes et d’écailles. Recueil d’articles de Jacqueline
Leclercq-Marx. Turnhout: Brepols, 2019.
Plaatskenmerk: 091: 75 icon (081)
Middeleeuwse iconografie
«Recueil d’articles rédigés par Jacqueline Leclercq-
Marx tout au long de sa carrière, ce volume consacré
à l’Iconographie médiévale entre Antiquité et art roman
est tout à la fois un état de la recherche et un stimulant
manuel d’initiation à l’analyse iconographique.
S’attachant à cette longue période souvent négligée
Latimier, Alicia. Lire le nom propre dans le roman
médiéval. Paris: Classiques Garnier, 2019. entre Antiquité tardive et Moyen Âge roman, l’auteure
met en évidence les cohérences et les continuités entre
Plaatskenmerk: 091 paleo NAAM
ces deux mondes. Détaillant l’intégration, l’association,
De materialiteit van namen in romanteksten l’hybridation ou la paraphrase de formes anciennes
«Cette étude des noms propres, portant sur le roman comme l’émergence de solutions inédites, elle identifie
arthurien tardif en vers, s’intéresse à la matérialité du un ensemble de choix iconographiques qui constituent
nom dans le texte et le manuscrit, analyse les imagi- les images du haut Moyen Âge et gagent de leur pouvoir
naires suggérés par le nom, puis s’intéresse aux liens de conviction. Le merveilleux médiéval, trop longtemps
tissés entre le nom propre et l’intrigue du récit.» galvaudé, se voit ici réaccrédité, refondé. Les images
de sirènes, centaures, minotaures, chevaliers marins
Inhoudopgave et autres monstres, très systématiquement mises “en
• Introduction correspondance” avec un vaste catalogue de textes,
• PREMIÈRE PARTIE: MATÉRIALITÉ DU NOM recomposent les fondements d’un imaginaire dont, on
PROPRE sait, qu’il fait toujours autant agir que penser.
• Du manuscrit aux outils modernes
• Identifier et répertorier le nom
6 | Aanwinsten Bijzondere Collecties
Loin des exposés théoriques parfois arbitraires, ce • XIV. Drôles d’oiseaux. Le caladre, le phénix, la
volume explicite au travers d’une série d’études de sirène, le griffon et la serre dans le Physiologus,
cas une méthodologie rigoureuse, prudente et ample les Bestiaires et les grandes encyclopédies du
XIIIe siècle. Mise en prespective
qui prévient contre toutes formes de surinterpréta-
• XV. L’illustration du Physiologus grec et latin,
tion, exhorte à l’établissement de corrélations entre entre littéralité et réinterprétation de l’allégorie
textes et images, souligne la richesse des apports textuelle. Le cas des manuscrits Bruxellensis
d’une recontextualisation fine et murmure l’irrémé- 10066-77 et Smyrneus B.8
diable instabilité des choses. Ces études qui traitent • Entre anthropologie et histoire matérielle
d’architecture, de sculpture et de peinture, comme de • Quand les choses font sens : fondements matériels
et formels d’une anthropologie culturelle des
miniature et d’orfévrerie, constituent une stimulante
images médiévales — Christian Heck
incitation à la recherche, un point de départ ou le pro- • XVI. La couleur de la peau dans le Moyen Âge
gramme d’autres études à venir.» central. Perception et représentations
• XVII. Des dons pas comme les autres. Les
Table of Contents ex-voto dans le Moyen Âge haut et central
• Jacqueline Lerclercq ou l’histoire d’une passion • XVIII. Le rapport au gain illicite dans la sculpture
— Brigitte D’Hainaut-Zveny, Alain Dierkens et romane. Entre réalités socio-économiques,
Constantin Pion contacts de culture et réseaux métaphoriques
• Sirenes usque in exitium dulces, l’histoire d’une • XIX. Du monstre androcéphale au monstre
recherche — Jacqueline Leclercq-Marx humanisé. À propos des sirènes et des cen-
• Bibliographie de Jacqueline Leclercq-Marx taures, et de leur famille, dans le haut Moyen
• Transferts, emprunts et réappropriations Âge et à l’époque romane
• Jacqueline Leclercq : un regard imaginatif vers les • XX. Vox Dei clamat in tempestate. À propos de
re-créations médiévales — Xavier Barral i Altet l’iconographie des Vents et d’un groupe d’in-
• I. Prototypes antiques et re-créations scriptions campanaires (IXe-XIIe siècles)
médiévales: le cas de quelques monstres • XXI. Entre archéologie et histoire matérielle.
anthropomorphes (sirènes, centaures et Pour une étude du décor des cheminées
minotaures) médiévales
• II. De la Terre-Mère à la Luxure. Àpropos de «La • XXII. L’imitation des tissus «orientaux» dans
migration des symboles» l’art du Haut Moyen Âge et de l’époque romane.
• III. La représentation des dieux antiques dans Témoignages et problématiques
le premier volume des Chroniques de Hainaut • XXIII. Le décor aux griffons du Logis des
(Bruxelles, KBR, ms. 9242). L’image, le texte, le Clergeons (cathédrale du Puy) et l’imitation
contexte et la postérité des tissus «orientaux» dans l’art monumental
• IV. Les avatars d’un mythe antique au Moyen d’époque romane en France. Tour d’horizon
Âge.Thésée et le minotaure aux époques • Autoportraits d’artistes et signatures, et sur la piste
préromane et romane de Goderan de Lobbes
• V. Le centaure dans l’art préroman et roman. • « Un texte où ce qui compte finalement est l’au-delà
Sources d’inspiration et modes de transmission des mots... » — Cécile Treffort
• VI. Les oeuvres romanes accompagnées d’une • XXIV. Les signatures d’orfèvres au Moyen Âge.
inscription. Le cas particulier des monstres Entre sociologie, théologie et histoire
• VII. Les visions constantiniennes et leur écho • XXV. Signatures iconiques et graphiques
dans l’art occidental (c. 800-c. 1200). Les mots d’orfèvres dans le haut Moyen Âge. Une
et les images première approche
• VIII. L’intégration des Sept Merveilles du Monde • XXVI. Le chapiteau d’Heimo (Maastricht,
à la culture chrétienne. Entre survivance et Basiliek Onze-Lieve-Vrouw). Le point sur
réinterprétation l’inscription et sur la scène de donation
• Cosmographie et Bestiaires • XXVII. Des mots qui posent question. Les
• La sirène, le centaure et autres merveilles: les «signatures» d’artisans dans le Haut Moyen Âge
sources antiques de l’hybridité dans l’esthétique (Ve-Xe siècles)
des bestiaires et des cosmographies médiévales — • XXVIII. [La Bible de Lobbes]. Les initiales
Rémy Cordonnier historiées. Quelques hypothèses et apports
• IX. L’idée d’un monde marin parallèle du monde nouveaux. I. L’iconographie
terrestre. Émergence et développements • Index
• X. Les Eaux supérieures (Gen. 1,6) dans la
peinture du Moyen Âge. Synthèse critique
• XIII. La sirène et l’(ono)centaure dans le
Physiologus grec et latin et dans quelques
Bestiaires. Le texte et l’image
Aanwinsten Bijzondere Collecties | 7
traces the movement of words and texts temporally,
geographically, and intellectually across different
media and genres. The contributions gathered here
begin with a reassessment of how the unique verbal
cultures of Scandinavia and Iceland can be under-
stood in a broader European context, and then move
on to explore foundational Nordic Latin histories and
vernacular sagas. Key case studies are put forward to
highlight the importance of institutional and individual
writing communities, epistolary and list-making cul-
Leducq, Alexandre, e.a. L’herbier: tractatus de tures, and the production of manuscripts as well as
herbis. Paris: Beaux-Arts de Paris éditions, 2019. runic inscriptions. Finally, the oral-written continuum is
examined, with a focus on important works such as
Plaatskenmerk: 091: 58 (45) “13”
Íslendingabók and Landnámabók, Old-Norse Icelandic
Becommentarieerde facsimile van het 14e-eeuwse translated romances, and the development of prosim-
Tractatus de herbis etra. Together, these essays form a state-of-the-art
«Le Tractatus de Herbis, est un magnifique herbier peint, volume that offers new and vital insights into the role of
réalisé au XIVe siècle entre 1370 et 1400 à Padoue en literacy in the Norse-speaking world.”
Italie. On en connait trois versions dans le monde dont
Inhoudsopgave
l’une enrichie issue des collections des Beaux-Arts de
• Introduction — AMY C. MULLIGAN
Paris. La reproduction en fac-similé de l’ouvrage origi-
• Literacy Studies: Past, Present, and Future —
nal restauré en 2018 est aujourd’hui publiée. LEIDULF MELVE
Le livre est accompagné d’un texte d’Alexandre • Medieval Nordic Backgrounds: Written Culture in an
Oral Society — ELSE MUNDAL
Leducq, conservateur des manuscrits aux Beaux-Arts
• Creating Absence: The Representation of Writing in
de Paris, de Bruno Laurioux, professeur d’Histoire du Early Histories of the North — AIDAN CONTI
Moyen Age et d’histoire de l’alimentation, de Iolanda • Tracing Scribal Centres in Medieval Norway —
Ventura, spécialiste des savoirs scientifiques du Moyen ÅSLAUG OMMUNDSEN
Age et de Remy Cordonnier, docteur en histoire de l’art • Letters from Kings: Epistolary Communication
médiéval, chercheur associé.» in the Kings’ Sagas (until c. 1150) — JONAS
WELLENDORF
• Letters, Networks, and Public Opinion in Medieval
Norway (1024–1263) — LEIDULF MELVE
• Gyrðir á lykil (Gyrðir owns the key): Materialized
Moments of Communication in Runic Items from
Medieval Bergen — KRISTEL ZILMER
• Moving Lists: Enumeration between Use and
Aesthetics, Storing and Creating — LUCIE
DOLEŽALOVÁ
• Talking Place and Mapping Icelandic Identity
in Íslendingabók and Landnámabók — AMY C.
MULLIGAN
• Traversing the Space of the Oral-Written Continuum:
Medially Connotative Back-Referring Formulae in
Landnámabók — SLAVICA RANKOVIĆ
• Ǫrvar-Oddr’s Ævikviða and the Genesis of Ǫrvar-
Mulligan, Amy, en Else Mundal. Moving Words in Odds saga: A Poem on the Move — HELEN F.
the Nordic Middle Ages: Tracing Literacies, Texts, LESLIE-JACOBSEN
and Verbal Communities. Turnhout: Brepols, 2019. • ‘Blood flying and brains falling like rain’: Chivalric
plaatskenmerk: 091 (48) Conflict Gone Norse — INGVIL BRÜGGER BUDAL
• From Oral to Written in Old Norse Culture:
‘Verbal Communities’ in Scandinavië Questions of Genre, Contact and Continuity —
“The culmination of over a decade’s research on verbal ELSE MUNDAL
culture in the pre- and post-Conversion medieval North
at Bergen’s Centre for Medieval Studies, this volume
8 | Aanwinsten Bijzondere Collecties
• Sabine Griese (Leipzig) – Türme der Weisheit.
Leseanweisung, Gebäudeallegorie, Tugendlehre
• Stefan Matter (Freiburg/Schweiz) – Vom Rand
her betrachtet. Texte und Bildzyklen in den
Bordüren mittelalterlicher Bücher
• Valérie Cordonier (Paris) – La tradition icono-
graphique de la fortune face à la nouveauté
conceptuelle : le cas des manuscrits de
• l’Aristote latin (XIIIe –XIVe siècle)
• II. La lettre à l’œuvre
• Jacqueline Cerquiglini-Toulet (Paris) – L’alphabet
des poètes. Rêverie des poètes médiévaux sur
la lettre
• Elena Llamas Pombo (Salamanca) – Gratiam
varietatis. Paramètres de variation stylistique de
Uhlig, Marion, en Martin Rohde. Belles lettres: Les
la lettre au Moyen Âge
figures de l’écrit au Moyen Âge. Wiesbaden:
• Hannah Morcos et Simone Ventura (London) –
Reichert Verlag, 2019.
Choréographies de la parole écrite entre vers et
Plaatskenmerk: 091: 003 prose dans la tradition de l’‹ Histoire ancienne
jusqu’à César › (XIIIe et XIVe s.)
Vorm en inhoud, signifié en signifiant • Maria Clotilde Camboni (Tours) –
„Die vorliegende Publikation ist das Ergebnis des Expérimentations graphiques dans la tradition
de la lyrique vernaculaire italienne du Moyen
Freiburger Colloquiums 2017 zum Thema « Figurationen
Âge
des Schreibens im Mittelalter». Das Interesse des • Thibaut Radomme (Louvain-la-Neuve/Lausanne)
Colloquiums galt der handschriftlichen Seite als Raum – Jeux de lettres, jeu du texte. L’hermétisme du ‹
des Dialogs, des Austauschs und der Wechselwirkung Roman de Fauvel › (Paris, BnF, français 146) au
zwischen ihrer Bedeutung (signifié) und deren graphi- service de la satire
scher Gestaltung (signifiant), zwischen Inhalt und Form. • Peter Frei (Irvine) – Imaginer le texte : François
Villon et la poétique du livre au seuil de la
Behandelt wurden die schrift-bildlichen Figurationen
modernité
und Systeme des Mittelalters, wobei nicht nur deren • III. Des signes et des sons
ästhetische Absichten in den Blick genommen wurden, • Agathe Sultan (Bordeaux) – Gueules du chant
sondern auch die moralischen, ideologischen, poli- (figuræ notarum)
tischen und spirituellen, die auf sie Einfluss nahmen. • Carola Hertel (Strasbourg) – Mouvements rétro-
Beteiligt waren die wichtigsten SpezialistInnen auf grades musicaux à la fin du Moyen Âge et leur
représentation – le cas de la lecture simultanée
diesem Gebiet aus Frankreich, Italien, Deutschland,
recte et rétrograde
England, Spanien, Belgien, den USA und der Schweiz • Mary Franklin-Brown (Minnesota) – Les signa-
mit Beiträgen aus den mediävistischen Fachbereichen tures de Pierre de Blois : Rapport entre figures
der lateinischen und volkssprachigen Literaturen und visuelles et acoustiques dans un recueil de
Philologien, der Geschichte, der Kunstgeschichte, der • poésies lyriques du XIIe siècles
Theologie, der Philosophie, der Musikologie und der • Matthew Cheung Salisbury (Oxford) – Noah’s
archive: liturgical manuscripts as archives, and
Kodikologie.“
archives as manuscripts
Inhoudsopgave
• Marion Uhlig (Fribourg) – Introduction
• I. Quasi liber et pictura
• Francesco Stella (Siena) – Le jeu de signification
réciproque de l’image et du texte dans la poésie
carolingienne
• Laure Chappuis Sandoz (Neuchâtel) – La grille
et la liberté : le carmen cancellatum de Venance
Fortunat à l’évêque d’Autun (carm. V, 6)
• Franz Dolveck (Genève) – L’idée du livre
• Patricia Stirnemann (Paris) – Les ‹ Moralia in Job
› de Cîteaux : regarder le texte avec les yeux de
l’artiste
Aanwinsten Bijzondere Collecties | 9
OUDE DRUKKEN
Vidas, Marina. The Copenhagen Bohun
Manuscripts. Copenhagen: Museum Tusculanum,
2019.
Munck, Thomas. Conflict and Enlightenment:
Plaatskenmerk: 091 kobe Print and Political Culture in Europe, 1635-1795.
Cambridge: Cambridge UP, 2019.
Twee verluchte handschriften (Engeland, 14e eeuw)
Plaatskenmerk: 094.3: 32 “16/17” en online
“The Copenhagen Bohun Manuscripts provides a
detailed analysis of the components of two exquisitely
Kruisbestuiving tussen boekgeschiedenis en vroeg-
illuminated fourteenth-century English manuscripts,
moderne politieke geschiedenis
the Hours of the Virgin and the Lives of the Virgin Mary,
“New approaches to the history of print have allowed
St. Margaret, and Mary Magdalene. Based on pictorial
historians of early modern Europe to re-evaluate major
as well as documentary evidence, Marina Vidas offers
shifts in religious, intellectual, cultural and political life
a detailed assessment of the manuscripts’ patronage,
across Europe. Drawing on precise and detailed study of
provenance, imagery, and texts. The result is a fasci-
the contexts of different types of print, including books,
nating insight into the remarkable production of English
pamphlets, newspapers and flysheets, combined with
illuminated manuscripts of this period.”
quantitative analysis and a study of texts as material
objects, Thomas Munck offers a transformed picture
of early modern political culture, and through analysis
of new styles and genres of writing he offers a fresh
perspective on the intended readership. Conflict and
Enlightenment uses a resolutely comparative approach
to re-examine what was being disseminated in print,
and how. By mapping the transmission of texts across
cultural and linguistic divides, Munck reveals how far
new forms of political discourse varied depending on
the particular perspectives of authors, readers and reg-
ulatory authorities, as well as the cultural adaptability of
translators and sponsors.
Table of Contents
• Introduction
• 1. Print, production, authors and readers
• 2. Instability and politicisation (1630–77)
• 3. Subversive print in the early Enlightenment
• 4. Translation and transmission across cultural
borders
• 5. High enlightenment, political texts and reform
(1748–89)
• 6. Revolution: democracy and loyalism in print
(1789 –95)
• Conclusions.
10 | Aanwinsten Bijzondere Collecties‘This impressive and ambitious study of the interplay
of print, political thought and expression, and social
and cultural change is a compelling, fine-tuned and
original account of how the printing press served as
an agent of change across the early modern period
and Enlightenment.’
Simon Burrows, Western Sydney University
Whitehouse, Tessa, en Neil Howard Keeble.
Textual Transformations: Purposing and
Repurposing Books from Richard Baxter to
Samuel Taylor Coleridge. Oxford: Oxford UP, 2019.
plaatskenmerk: 094.1 (41) “18”
Vroegmoderne boekhandel en de variabiliteit van
boeken
Nall, Joshua. News from Mars: Mass Media and
the Forging of a New Astronomy, 1860-1910. “Early modern books were not stable or settled outputs
Pittsburgh, Pa: U of Pittsburgh, 2019. of the press but dynamic shape-changers, subject
to reworking, re-presentation, revision, and reinter-
Plaatskenmerk: 094.3: 52 “18/19”
pretation. Their history is often the history of multiple,
Mars in negentiende-eeuwse media sometimes competing, agencies as their texts were
“Mass media in the late nineteenth century was full of re-packaged, redirected, and transformed in ways that
news from Mars. In the wake of Giovanni Schiaparelli’s their original authors might hardly recognize. Processes
1877 discovery of enigmatic dark, straight lines on the of editing, revision, redaction, selection, abridgement,
red planet, astronomers and the public at large vigor- glossing, disputation, translation, and posthumous
ously debated the possibility that it might be inhabited. publication resulted in a textual elasticity and mobil-
As rivalling scientific practitioners looked to marshal ity that could dissolve distinctions between text and
allies and sway public opinion—through newspapers, paratexts, textuality and intertextuality, manuscript and
periodicals, popular books, exhibitions, and encyclo- print, author and reader or editor, such that title and
paedias—they exposed disagreements over how the author’s name are no longer sufficient pointers to a
discipline of astronomy should be organized and how it book’s identity or contents.
should establish acceptable conventions of discourse. This collection brings together original essays by an
News from Mars provides a new account of this international team of eminent scholars in the field of
extraordinary episode in the history of astronomy, book history that explore these various kinds of textual
revealing how major transformations in astronomical inconstancy and variability. The essays are alive to
practice across Britain and America were inextricably the impact of commercial and technological aspects
tied up with popular scientific culture and a transatlan- of book production and distribution (discussing, for
tic news economy that enabled knowledge to travel. As example, the career of the pre-eminent bookseller
Joshua Nall argues, astronomers were journalists, too, John Nourse, the market appeal of abridgements, and
eliding practice with communication in consequential the financial incentives to posthumous publication),
ways. As writers and editors, they played a pivotal role but their interest is also in the many additional forms
in the emergence of a “new astronomy” dedicated to of agency that shaped texts and their meanings as
the study of the physical constitution and life history books were repurposed to articulate, and respond to,
of celestial objects, blurring harsh distinctions between a variety of cultural and individual needs. They engage
those who produced esoteric knowledge and those with early modern religious, political, philosophical,
who disseminated it.” and scholarly trends and debates as they discuss a
wide range of genres and kinds of publication including
Aanwinsten Bijzondere Collecties | 11fictional and non-fictional prose, verse miscellanies,
abridgements, sermons, religious controversy, and of
authors including Lucy Hutchinson, Richard Baxter,
John Dryden, Thomas Burnet, John Tillotson, Henry
Maundrell, Jonathan Swift, Samuel Richardson, John
Wesley, and Samuel Taylor Coleridge.”
Inhoudsopgave
• Introduction, Neil Keeble and Tessa Whitehouse
• Part I. Production and Dissemination
• 1: Transforming the Eighteenth-Century Book
Trade: John Nourse and his Bookshops on the
Strand, James Raven
• 2: Friendship and Eighteen-Century
Wilkinson, Alexander S., en Graeme J. Kemp.
Nonconformist Memorial Publication, Tessa
Negotiating Conflict and Controversy in the Early
Whitehouse
Modern Book World. Leiden: Brill, 2019.
• 3: Manuscript in the House of Print: Richardson
and Media Shift after 1700, Thomas Keymer Plaatskenmerk: 094.3: 32 “15/17” en online
• 4: Unitarian Activism and the Politics of the
Subscription Library: Bury St. Edmunds in the Boeken en vroegmoderne crises
1790s, Christopher Reid “The early modern European book world was confronted
• Part II. Authorship and Editing
with many crises and controversies. Some conflicts
• 5: Attempting to Transform Public Opinion: The
Publishing Career of Richard Baxter, 1662-96, were of such monumental scale that they wrought sig-
Neil Keeble nificant reconfigurations of the trade. Others were more
• 6: Authorship and Materiality in Eighteenth- quotidian in nature – evidence of the intensely compet-
Century Collected Works: The Case of John itive and at times predatory nature of the industry. How
Tillotson, Rosemary Dixon publishing negotiated and responded to the various
• 7: Remaking Verse in the Eighteenth-Century
crises, conflicts and disputes of the age is explored by
Poetic Miscellany, Abigail Williams
• 8: In Good Company: The Business of the rich and varied interdisciplinary contributions in this
Abridgments in Eighteenth-Century England, volume. To succeed in the business of books, printers
Michael F. Suarez, S. J. and publishers needed to seize the advantage in the
• Part III. Reception often complex environments in which they operated.
• 9: Editing Shadows: The Changing Text of Lucy What was required was determination, resilience, and
Hutchinson’s Memoirs of the Life of Colonel
inventiveness, even in the most challenging of times.”
Hutchinson, Mark Burden
• 10: ‘Generous men will spare the memory of the Inhoudsopgave
dead’: The Posthumous Publication of Writings
by Thomas Burnet, Scott Mandelbrote • Introduction - Alexander S. Wilkinson
• 11: Reading Henry Maundrell’s Sacred • Circumventing Censorship: the Rise and Fall of
Geography in Eighteenth-Century England and Reformation Print Centres - Drew B. Thomas
Germany, Simon Mills • A Weapon for Freedom of Speech and Thought:
• 12: Coleridge’s Shakespearean Transformation Printing the Censurae of the Sorbonne, 1500–1550
of Schiller’s Wallenstein Plays, James Vigus - Martine Furno
• The Bible in Contention: Roman Prohibitions and
Italian Biblical Texts for the Mass - Edoardo Barbieri
• A Whole New World? Publishing in the Dutch
Golden Age - Andrew Pettegree
• Fear and Loathing in Weesp: Personal and Political
Networks in the Dutch Print World - Arthur der
Weduwen
• Almanac Production and the Antwerp Printing
Community, 1588–1621 - Cara Janssen
• Women and Conflict in the Iberian Book Trade,
1472–1700 - Alejandra Ulla Lorenzo and Alba de la
Cruz Redondo
• Debating Print in English Prefatory Dialogue -
Rachel Stenner
12 | Aanwinsten Bijzondere Collecties• Military Camps in Military Manuals - Klára
Andresová
• Translating Treason: Printed Accounts of
Conspiracies Against Henri iv in France and
England - Sara Barker
• Sustaining a City Under Siege: Paris Versus Henri
de Navarre (7 May – 30 August 1590) - Alexander S.
Wilkinson
• A Household Affair: Henri IV’s Royal Printers,
1589–1595 - Marc W.S. Jaffré
• Pamphleteering and Honour in Early Modern
France: the Wars of the Mother and Son, 1619–1620
- Edwin Andrew Goi
• Foreign News in Times of Domestic Crisis: the
Truce Conflicts, the Thirty Years’ War and the Rise
of the Dutch Newspaper - Helmer Helmers
• Defending the Fatherland Against the Butcher
Prince: the ‘Nationalisation’ of the Legal
Environment of Conflict - Robert von Friedeburg
Aanwinsten Bijzondere Collecties | 13BOEKCULTUUR
leescultuur
bibliotheken
grafische industrie
14 | Aanwinsten Bijzondere CollectiesBOEKCULTUUR Press. Several essays touch on the type designs of
John Baskerville, whose neoclassical masterpiece, the
Virgil of 1757, is a prime example of stylistic influences
of printing on paper.
This volume concludes with two case studies, each
tracing the history of a single publication. Both build on
arguments made previously about the interdependence
of the book trades. Both are based on an examination
of multiple copies, one of the principal techniques in
the repertoire of analytical bibliography. The empirical
evidence of paper, type, bindings, and illustrations
should take precedence in any attempt to learn about
design decisions, marketing methods, and publication
strategies.”
Bidwell, John. Paper and Type: Bibliographical
Essays. Charlottesville, Va: Bibliographical
Society of the U of Virginia, 2019.
Plaatskenmerk: 09: 676 (081) BIDWELL
Papiergeschiedenis en typografie
“The essays collected here are mainly about book pro-
duction in England and America during the Industrial
Revolution. Some touch on topics earlier and later
than this pivotal period, but they too tend toward the
manufacturing sector and deal with the same tools of
the trade: paper and type. The first section on research
methods surveys recent scholarship in paper history
and contains recommendations for further study. Two Davis, Caroline. Print Cultures: A Reader in Theory
and Practice. London: Red Globe, 2019. Print.
essays advocate a greater emphasis on the business
side of printing and publishing, a vantage point for Plaatskenmerk: 09 (082.2) DAVIS
viewing their inner workings and their peripheral con-
Print culture in de 20e en 21e eeuw
nections with allied ventures in finance and technology.
“This reader is the most comprehensive selection of
The interdependence of merchants and manufacturers
key texts on twentieth and twenty-first century print
and their aspirations, incentives, and constraints are
culture yet compiled. Illuminating the networks and
recurring themes in this volume.
processes that have shaped reading, writing and pub-
The essays in the second and third sections describe lishing, the selected extracts also examine the effect of
developments in the paper trade with special reference printed and digital texts on society. Featuring a general
to the requirements of letterpress printing. In America introduction to contemporary print culture and pub-
paper mills first gained a foothold in the marketplace lishing studies, the volume includes 42 influential and
after printers and publishers rose up in their defense innovative pieces of writing, arranged around themes
against the strictures of the Stamp Act and other British such as authorship, women and print culture, colonial
regulations. In England the Fourdrinier papermaking and postcolonial publishing and globalisation.
machine has been given credit for the formation of a
Offering a concise survey of critical work, this volume
mass-reading public, although its economic effects
is an essential companion for students of Literature or
are not so easy to explain, and the Fourdriniers con-
Publishing with an interest in the history of the book.”
tributions to this invention are not as praiseworthy as
previously supposed. Mechanization drove most of Inhoudsopgave
the vat mills out of business, yet several survived, and
• PART ONE: Publishing Theory and Practice
some even prospered while supplying handmades to • Introduction
fine printing establishments like the Oxford University • Stanley Unwin, The Truth About a Publisher
Aanwinsten Bijzondere Collecties | 15• Pierre Bourdieu, The Market of Symbolic • Virginia Woolf, A Room of One’s Own
Goods.- Gérard Genette, Introduction to • Urvashi Butalia and Ritu Menon, Making a
Paratexts: Thresholds of Interpretation Difference: Feminist Publishing in the South
• Lynne Spender, Intruders on the Rights of Men: • Simone Murray, Feminist Presses and
Women’s Unpublished Heritage Publishing Politics.- Mohanalakshmi Rajakumar
• John Thompson, Introduction to Merchants of and Rumsha Shahzad, She Needs a Website
Culture of Her Own: The ‘Indie’ Woman Writer and
• Michael Bhaskar, The Digital Context and Contemporary Publishing
Challenge • PART EIGHT: Literary Prize Culture
• PART TWO: Authorship • Introduction
• Introduction • Richard Todd, Literary Prizes and the Media
• Mary Ann Gillies, Agents and the Field of Print • Tom Maschler, How It All Began: The Man
Culture Booker Prize
• Joe Moran, Disembodied Images: Authors, • Claire Squires, Genre in the Marketplace
Authorship and Celebrity • James English, Scandalous Currency
• Juliet Gardiner, ‘What is an Author’: • PART NINE: Globalisation and the Book
Contemporary Publishing Discourse and the • Introduction
Author Figure • André Schiffrin, The Future of Publishing
• Laura Dietz, Who Are You Calling an Author? • Walter Bgoya, The Effects of Globalisation in
Changing Definitions of Career Legitimacy for Africa
Novelists in the Digital Era • Angus Phillips, The Global Book
• George Landow, Reconfiguring the Author • Suman Gupta, Globalisation and Literature
• PART THREE: Readers and the Literary Marketplace • Sarah Brouillette
• Introduction • The Global Literary Field and Market
• Q. D. Leavis, The Book Market Postcolonialism.
• Geoffrey Faber, A Publisher Looks at
Booksellers
• Janice Radway, The Scandal of the Middlebrow
• Clive Bloom, How the British Read
• PART FOUR: Censorship and Print Culture
• Introduction
• Sue Curry Jansen, The Censor’s New Clothes
• Lewis A. Coser, Publishers as Gatekeepers of
Ideas
• Alistair McCleery
• The Trials and Travels of Lady Chatterley’s Lover
• Archie L. Dick, Combating Censorship and
Making Space for Books
• PART FIVE: Books, Propaganda and War
• Introduction
• Peter Buitenhuis, Setting up the Propaganda
Machine Monro, Alexander. The Paper Trail: An Unexpected
• Jane Potter, For Country, Conscience and History of the World’s Greatest Invention. London:
Commerce Allen Lane, 2014.
• Valerie Holman, Publishing and the State
• Joe Pearson, Books for the Forces Plaatskenmerk: 09: 676 (09)
• John B. Hench, The American Publisher’s Series
Goes to War, 1942-1946 Papiergeschiedenis
• PART SIX: Colonial and Postcolonial Print Culture “The Paper Trail is the two-millennia-long history of
• Introduction how a simple Chinese invention changed the course
• Pascale Casanova, World Literary Space of human events. Tracing the emergence of paper from
• Robert Fraser, School Readers in the Empire
the imperial court of Han China to its subsequent jour-
and the Creation of Postcolonial Taste
• Henry Chakaya, Kenyan Publishing: neys to Japan, Korea, and Vietnam, through the empire
Independence and Dependence of the Abbasid Caliphate and eventually, by way of
• Graham Huggan, African Literature/Postcolonial the Silk Road, to Europe in the late thirteenth century,
Exotic Alexander Monro shows how the medium allowed reli-
• James Currey, Africa Writes Back gions and revolutions, philosophies and propaganda to
• PART SEVEN: Women and Print Culture
spread like never before. A sweeping, richly detailed,
• Introduction
16 | Aanwinsten Bijzondere Collectiesand vividly written tale populated by holy men and
scholars, warriors and poets, rulers and ordinary men LEESCULTUUR
and women, here is the story not only of paper, but of
human culture itself.”
Richards, Jennifer. Voices and Books in the
English Renaissance: A New History of Reading.
First ed. Oxford: Oxford UP, 2019.
Plaatskenmerk: 094.6: 028 (41) “15/17”
Lezen in Renaissance Engeland
“Voices and Books in the English Renaissance offers a
new history of reading that focuses on the oral reader
and the voice- or performance-aware silent reader,
rather than the historical reader, who is invariably male,
silent, and alone. It recovers the vocality of education
for boys and girls in Renaissance England, and the
importance of training in pronuntiatio (delivery) for
oral-aural literary culture. It offers the first attempt to
recover the voice—and tones of voice especially—from
textual sources. It explores what happens when we
bring voice to text, how vocal tone realizes or changes
textual meaning, and how the literary writers of the past
tried to represent their own and others’ voices, as well
as manage and exploit their readers’ voices.
The volume offers fresh readings of key Tudor authors
who anticipated oral readers including Anne Askew,
William Baldwin, and Thomas Nashe. It rethinks what
a printed book can be by searching the printed page
for vocal cues and exploring the neglected role of the
voice in the printing process. Renaissance printed
books have often been misheard and a preoccupation
with their materiality has led to a focus on them as
objects. However, Renaissance printed books are alive
with possible voices, but we will not understand this
while we focus on the silent reader.”
Inhoudsopgave
• Introduction: Voices and Books
• Part I. Locating the Voice
• 1: The Voice on the Page
• 2: The Voice in the Schoolroom
Aanwinsten Bijzondere Collecties | 17• 3: The Voice in the Church alongside a wealth of archival evidence to put his
• Part II. Voices and Books: Case Studies life and library back together again. He shows how
• 4: Talking Books: Bale, Askew, Baldwin Stonley’s books were integral to the material worlds he
• 5: Thomas Nashe Off the Page
inhabited and the social networks he formed with com-
• Conclusion
munities of merchants, printers, recusants, and spies.
Through a combination of book history and biography,
Shakespeare’s First Reader provides a compelling
“bio-bibliography”—the story of how one early modern
gentleman lived in and through his library.”
Inhoudsopgave
• Introduction. Material Readers
• Chapter 1. Shopping for Shakespeare
• Chapter 2. Accounting for the Self
• Chapter 3. On Aldersgate Street
• Chapter 4. People of the Book
• Chapter 5. Paper Travels
• Chapter 6. A Booke in Commendacion of the Ladye
Branche
Scott-Warren, Jason. Shakespeare’s First Reader: • Chapter 7. Meet the Chillesters
The Paper Trails of Richard Stonley. Philadelphia, • Chapter 8. Reading in the Fleet
PA: U of Pennsylvania, 2019. • Conclusion
Plaatskenmerk: 094.51 (41) STONLEY
Bio-Bibliografie van Richard Stonley, frauderend
bibliofiel in de zestiende eeuw
“Richard Stonley has all but vanished from history, but
to his contemporaries he would have been an enviable
figure. A clerk of the Exchequer for more than four
decades under Mary Tudor and Elizabeth I, he rose
from obscure origins to a life of opulence; his job, a
secure bureaucratic post with a guaranteed income,
was the kind of which many men dreamed. Vast sums
of money passed through his hands, some of which he
used to engage in moneylending and land speculation.
He also bought books, lots of them, amassing one of
the largest libraries in early modern London.
In 1597, all of this was brought to a halt when Stonley,
aged around seventy-seven, was incarcerated in the
Fleet Prison, convicted of embezzling the spectacular
sum of £13,000 from the Exchequer. His property was
sold off, and an inventory was made of his house on
Aldersgate Street. This provides our most detailed
guide to his lost library. By chance, we also have three
handwritten volumes of accounts, in which he earlier
itemized his spending on food, clothing, travel, and
books. It is here that we learn that on June 12, 1593,
he bought “the Venus & Adhonay per Shakspere”—the
earliest known record of a purchase of Shakespeare’s
first publication.
In Shakespeare’s First Reader, Jason Scott-Warren
sets Stonley’s journals and inventories of goods
18 | Aanwinsten Bijzondere CollectiesBIBLIOTHEKEN only a much needed contribution to current under-
standings of the social and intellectual milieus of late
& BIBLIOFIELEN medieval Damascus. It is itself a monument to how
a turn to combining history and material philology
is substantially refining, and changing, modern
imaginations of Middle Eastern and Islamic history in
general.”
Jo Van Steenbergen
Hirschler, Konrad. A Monument to Medieval Syrian
Book Culture: The Library of Ibn Abd Al-Hadi.
Edinburgh: U, 2019.
plaatskenmerk: 094.51 (569.1) IBN’ABD AL-H Lanoë, Guy. La bibliothèque capitulaire de Reims
du XVe au XVIIIe siècle: L’inventaire de 1456-1462
Een bibliotheekcatalogus uit Bagdad et ses récolements (1470, 1479), L’inventaire de la
“In the late medieval period, manuscripts galore cir- fin du XVIIe siècle. Paris: CNRS Editions, 2019.
culated in Middle Eastern libraries. Yet very few book Plaatskenmerk: 094.6: 027.1 (44) REIMS
collections have come down to us as such or have left
a documentary trail. This book discusses the largest De kapittelbibliotheek van Reims
private book collection of the pre-Ottoman Arabic «Depuis son origine carolingienne jusqu’à la veille
Middle East for which we have both a paper trail and a de la Renaissance, la bibliothèque capitulaire de
surviving corpus of the manuscripts that once sat on its Reims a connu quelques périodes particulièrement
shelves: the Ibn ʿAbd al-Hādī Library of Damascus. The fastes, comme celle du juriste et archevêque Hincmar
book suggests that this library was part of the owner’s (845-882) ou celle du Grand Schisme en raison de la
symbolic strategy to monumentalise a vanishing world proximité des archevêques de Reims avec des papes
of scholarship bound to his life, family, quarter and d’Avignon. Enfin, des prélats curieux et éclairés comme
home city.” Guillaume Fillastre, doyen de Chapitre de Reims et
cardinal de Saint-Marc († 1428), très présents
Inhoudsopgave
aux nombreux conciles qui ont égrainé cette époque,
• Introduction ont su saisir le sens de la démarche des intellectuels
• 1. Setting the Scene: The World of a Late Medieval
transalpins dans le domaine des “ sciences “ et des
Middling Scholar
• 2. Monumentalising the Past “ humanités “ et contribuer à en répandre la connais-
• 3. Binding Matters – From Stand-Alone Booklet to sance en France.
Monumental Composite Manuscript
La rédaction de l’inventaire des livres de la biblio-
• 4. Conclusion: The After-Life of the Ibn ʿAbd al-Hādī
Collection thèque de l’Église métropole de Reims a été effectuée
• 5. The Ibn ʿAbd al-Hādī fihrist: Title Identification entre 1456 et 1462. Il achève un mouvement général
• 6. The Ibn ʿAbd al-Hādī fihrist: Edition de mise en ordre des manuscrits que conserve la
cathédrale Notre-Dame. En effet, l’archevêque Guy de
“Hirschler develops a carefully and innovatively Roye (1390-1409) soumet le don au Chapitre des 153
constructed argument about how complex realities volumes de sa propre bibliothèque à la construction
and meanings of intellectual, library and book prac- d’une libraria, condition remplie par son successeur,
tices in late medieval Damascus inform at the same Simon de Cramaud (1409-1429). Le transfert des livres
time about highly localised phenomena and about
donne l’occasion au chanoine Gilles d’Aspremont d’ef-
their much wider value to understand transformations
across time and space. This book is therefore not fectuer une amorce de récolement en 1412.
Aanwinsten Bijzondere Collecties | 19Vous pouvez aussi lire
